OUR STORY

IT STARTED WITH A BOTTLE OF german whisky NOBODY
SAW COMING.
A LONG LUNCH.
AN OLD FRIEND IN GERMANY. AND A
VERY GOOD IDEA.

“Just try it. Trust me. It's not what you think.”

A Saturday afternoon on Lamma Island. Two friends — Jim Orr and Shaun Horrocks — sitting down to a spread of fine Indonesian food, the kind of slow, generous meal that doesn't watch the clock. Both had called Hong Kong home for decades. Between them, they carried thirty years apiece in the city — one deep in the drinks trade, the other in the world of luxury brands and fine food. Two very different skill sets. One very surprising bottle of German whisky.

When Orr reached across the table and produced a Slyrs 51 — a single malt from the Bavarian Alps — Horrocks didn't hide his scepticism. "German whisky? Really?" He was a Brit. Whisky meant Scotland. It always had — the rolling glens, the peat smoke, the centuries of tradition. Bavaria was for beer. Everyone knew that.

"Just try it. Trust me. It's not what you think."

He was right. It wasn't even close.


This was something else entirely — complex, considered, refined. A single malt of real depth and character, with a warmth that somehow matched and deepened the heat of the rendang. Not predictable. Not safe. Genuinely exciting.

Horrocks put down his glass. "Where did you get this?"

Orr smiled. "An old friend back in Germany. He's just picked up the distribution rights — a young distiller, apparently. I don't know the full story yet. But let's find out."

Within minutes they were on the phone to Germany. An old mutual friend — someone who'd lived in Hong Kong himself through the '90s before returning home for family reasons — now found himself sitting at the source of something remarkable. It wasn't just one exceptional whisky. He had access to a portfolio of outstanding German whiskies and spirits, connections to craft producers across Europe, and a relationship with Weihenstephan — the oldest brewery in the world, brewing without interruption since 1040.

The conversation moved fast. What started as curiosity became a business plan before the afternoon was over.

For Horrocks, the designer's brain was already firing. Campaigns. Branding. A visual identity. A name. For Orr, the business case was crystallising. He had the relationships — both the producers who'd supply the product and the buyers who'd put it on their shelves and menus. And their man in Germany had the portfolio and the producers.

Between the three of them — spread across Hong Kong and Europe, carrying close to a century of combined experience in the drinks industry, luxury marketing, and the Asian market — they had something none of them could have built alone. The product, the platform, and the means to sell it. Not a partnership assembled from strangers, but one built on years of friendship and a shared history in the same city.

There was only one thing left to decide — what to call it. ALCOLOGY.

WHY ALCOLOGY?

"We wanted something fresh. Something you remember the first time you hear it," says Horrocks. "In this market, you can't afford to blend in. The name had to do some of the work for us — say something about who we are before we even open our mouths."

ALCOLOGY — the study of alcohol. Not just selling it. Studying it. Understanding it. Celebrating the craft, the history, the culture, and the sheer creative ambition behind every bottle in the portfolio.

"But honestly," Horrocks adds, "more than anything, it's a name that makes people smile. And that's the spirit of this whole company."

The long lunch ended. The study of alcohol, rather seriously, had just begun, and ALCOLOGY was born.

tHE PEOPLE BEHIND THE POUR

ALCOLOGY was built on two things most new businesses don't have: the right relationships and the right instincts. Between them, James Orr and Shaun Horrocks bring over to sixty years of Hong Kong experience — across premium drinks, luxury marketing, fine food, and the kind of industry access that simply can't be manufactured from scratch. One knows every producer worth knowing across Europe. The other knows exactly how to make Hong Kong sit up and pay attention. The fact that they've been friends for decades and share an uncompromising view of what belongs in a glass is, frankly, what makes this work.

Jim Orr
‍ ‍Director of Liquidity

Hong Kong since 1991. Which means Jim was navigating this city's drinks trade before most of today's sommeliers were old enough to hold a glass. Three decades of importing and distributing premium whiskies and wines, a key role in developing the Restaurant & Bar Hong Kong trade show and ProWine Asia, and a contacts book that reads like a who's who of the city's finest F&B establishments. The F&B directors, executive chefs, and beverage buyers at Hong Kong's most prestigious hotels, restaurants and bar groups don't just know Jim — they trust him. That's not something you buy. That's thirty years of never wasting anyone's time with anything second-rate. On the supply side, he's spent those same thirty years building relationships with the kind of European producers who care more about what's in the bottle than how many cases they can shift. Both networks, built over a lifetime in the trade. Both brought to bear on every single brand ALCOLOGY represents.

shaun horrocks
‍ CURATOR of culture

Hong Kong since 1994 and showing no signs of leaving. In three decades as one of the city's most respected creative directors, Shaun has shaped brands and publications for Cathay Pacific, the South China Morning Post, and Landmark Mandarin Oriental — names that don't suffer fools or forgettable work. As Art Director of Le Pan, Hong Kong's acclaimed fine wine and luxury lifestyle magazine, he already had one foot planted firmly in the world of premium drinks. The other was equally at home in fine food — as the marketing strategist and creative force behind Aristocrat Caviar and Victoria Island Smokehouse, two names that carry genuine weight in Hong Kong's most discerning dining circles. He understands what makes people pay attention, what makes them remember, and what makes them come back. Which, when you think about it, is exactly what a drinks company needs if it wants to be more than just another name on a price list.